Chasing Amy
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#3
in Kevin Smith's so-called "Jersey
Trilogy." Of his 5 major films, I
saw them in the random order of Dogma,
Clerks, Chasing Amy, Mallrats,
and Jay and Silent Bob Strike Back.
Most of his die hard fans have seen them in
chronological order. But what can I
say? Only Dogma is really my
kind of film. The rest I've seen only
as a result of taking more and more to his
work. Don't worry; that didn't make
sense to me, either.
So wassup
with this flick? Well, in true Smith
style, favorite actors are recycled into
different roles for each film, so Ben
Affleck, Jason Lee and Joey Lauren Adams
return from Mallrats, albeit as different
characters. Affleck is Holden McNeil,
comic book artist, and Lee is Banky Edwards,
his inker (sometimes called a tracer by
derisive fans). Holden gets the hots
for Alyssa Jones, another comic book artist,
who turns out to be a lesbian. Well,
sort of. Holden is crestfallen, but
hides it well and manages to cultivate a
close friendship with Alyssa. All goes
well until he breaks down and admits his
love for her. She goes histrionic on
him before giving in to her own feelings,
and they end up dating. Needless to
say, Alyssa's fellow lesbians are bummed
about this. Things seem to go well
until Holden finds out what her old nickname
"Fingercuffs" means. It has
to do with her very experimental past,
sex-wise. Holden can't handle the
truth, they both flip out at each other in a
parking lot, and nobody's happy. Well,
except Banky, who never liked her to begin
with. Holden, who only seems to be
intelligent, tries to solve it all by
proposing a 3-way with Alyssa, Banky and
himself so they can get all their tension
out of their systems. Fortunately the
other two reject this proposal, and Holden
loses her. They meet a year later at a
comic book convention, where Holden shows
her his autobiographical comic book called
Chasing Amy (the title coming from a tale
told by Silent Bob).
Curtain.
The verdict:
This is my
least-loved of Smith's films, which goes
against the general consensus that this is
his best film. I vote for Dogma
in that category. Some misunderstand
me and think that I hate this film. I
don't. I just like half of it.
Specifically, the half that includes Banky,
Hooper, Jay and Silent Bob. Who are
those last 3? Hooper is the creator of
a super-militant black superhero, and who
projects a super-militant persona at
conventions, but who is in reality a gay
liberal. The whitey-hating front is to
sell copies. As for Jay and Silent Bob
(Jason Mewes and Smith himself), these are
the only characters who are in all of
Smith's Jersey films. He reuses actors
all the time, but not necessarily characters. To
get all Star Wars about it, think of C-3P0
and R2-D2 being the constants in those
films. That's as good as a comparison
as any, considering that 3P0 talks
constantly (Jay), and R2 communicates
nonverbally and does all the work (Silent
Bob).
What I Liked:
- Every
scene with Hooper and Banky.
Together or individually. Not
exactly comic relief, since they're both
far too intelligent for that, but the
sassiness, the cynicism, the witty
repartee - they all add up to the half
of the film I wish had been THE core.
- Jay and
Silent Bob. That probably goes
without saying. Relegated to
little more than an extended cameo here,
they still are far more interesting than
Holden McNeil... put together. And
since Bob has at least one line per
film, he gets a long speech this time
and gives the reason for the title Chasing
Amy. We also learn that Bob
has always wanted to be a dancer in
Vegas- knowledge of which I made great use
while dressed as Bob for a costume
party.
What I Didn't
Like:
- Joey
Lauren Adams' voice. With all due
respect to her as an actress and Smith's
taste in women, I have a real
sensitivity to high-pitched sounds, and
the woman almost made my ears
bleed. It didn't help that Smith
wrote so many scenes for her to be
screeching at Holden about some damned
thing or another.
- Holden.
Although I enjoy looking at Affleck,
it's too bad his character is such a
moron. A 3-way, indeed!
- The
histrionics. The real reason I
only like half of this film. I
don't handle intense feelings very well,
so I avoid experiencing them. A
film like this smashes white-hot intense
feelings down your throat, which I don't
particularly find entertaining. It
depends on what attitude one has about
movies. Some want to see films
that enthrall, or educate, or move,
or... whatever. Stuff that dramas
do. Me? I want escape from
reality. I read stuff on Smith's
board about how someone just got out of
a bad relationship, so he watched Chasing
Amy to make himself feel better. Make
himself feel better? Watching a movie
about a doomed relationship? This
makes people feel better? Is this
some kind of human thing, because I
don't get it?
- The
omisson of a wonderful scene involving
Holden and Banky at a comic book store,
where Banky gets revenge on his
archenemies, Steve-Dave and Walt.
C'mon, man, put it back in!
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